Weekend Acting Workshop

Weekend Acting Workshop


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About The Event

Weekend Acting Workshop

The weekend workshop specifically focuses on helping students to discover the actor in them and provides them with a thorough foundation of acting skills with a specific focus in helping them understand the basic techniques involved in developing their acting skills. The weekend workshop is conveniently designed to fit into their weekly schedule by committing the student to classes only on weekends. is for everybody from professionals to students, serious actors and acting students. Those who can find time on the weekends and want to learn the basics of stagecraft and acting, this Weekend Workshop is ideal for them.

Spread over 6 weekends (12 sessions), it starts from the essentials of story-development, play-writing, design and direction and moves on to focus on the craft of acting. Apart from acting, the workshop offers a rich mix of theatre activities, readings, analysis, discussions, and performances.
No of Sessions: 12, 36 Hours
Duration: 6 Weeks
Tuition Fee: Acting: Rs 7,500
Per session duration: 3 Hours
Age criteria: 15 years and above
Schedule: Delhi Workshop Starts From 3rd october Saturday
Timing batch : 3 PM to 6 PM
Address: TAKEONE House Adjacent D-26, East of Kailash, New Delhi-110065
Direct Admission. No audition and interviews to be conducted
Faculty : Eminent Theatre Personality/ NSD Graduates/ Films and Theatre Personality
A certificate will be given to all participants who successfully complete workshop.
 Acting Techniques
Incorporates different world renowned techniques which help in understanding, analysing and applying the craft of Acting. The module spans the history of Acting : traditional and classical modes of acting, modern acting i.e. method acting / realistic form of acting and the post-modern, i.e. contemporary methodologies, to comprehend the art of performance more efficiently.
Creative Body Movements
The body is the basic tool of an actor, just as brushes and canvas are to a painter. Creative body movements are prime exercises, which are conducted in the beginning of almost every acting class conducted by the faculty. These movement classes enables one to become graceful and energetic, and makes one aware of factors like rhythm, gait, pace, tempo, gestures, postures, body language, compositions, etc. which later help one in understanding scenes more effectively.
Voice Culture
The voice is another tool of an actor. In voice classes, students get to understand the power of their voice and gain an insight of how to modify it by controlling various resonators and muscles.
By doing different breathing exercises, the students learn voice modulation which helps them in understanding the nuances of diction and articulation.
Diction & Speech
The students are taught the importance of clarity of speech — articulation as well as expressions. The students are made to analyse and study various monologues from plays and films, which later helps them in dialogue delivery
Actor and Camera
This aspect of training is a highly technical endeavour which deals with all the technical nuances of film acting, concerning the camera. Here the students get to know the importance of the camera, camera placement, camera movement, shot division, shot taking, types of shots, the presence of the actor before the camera, the significance of the ‘mark’ vis-à-vis the camera, etc.
Scene Studies and Script Analysis
These are intensive classroom exercises where various types of scenes, and the components within the scenes, are meticulously studied by observing the minutest details of classic movies.
The emergence of ideas like ‘conflict’, ‘status’, ‘motive/want’ of the character in the particular scene, ‘urgency’ of the situation, fluctuations in the circumstances and the spontaneity of the character in the situation to adapt to the circumstances are keenly studied and applied in the practical sessions. Scripts for acting sessions are deeply studied for the meanings, interpretations, unit divisions, sub-text, stresses, pauses, for the purpose of characterisation.

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